Movies: Martine Rousset

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in i...

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...

Rousset photographs a train station in the evening, then boards a late-night train bound for mountainous Anatolia....

"Yerevan, Armenia, in the illegible secret of the country, imprisoned in its shadows, in its nights of the underground, nights of the basements, trains for nowhere... ephemeral traveler, light sleeper..."...

To examine the image of this face, this look, there are fragments of raw stories, mineral lights, snatches of an endless dream ... The insistence clashes, until abstraction , To the decomposed time, to its chaos with the gleams of stone. From that ...

Reel 3 of Gérard Courant's on-going Cinematon series....

A cinematic metaphor, conceived as part of a compilation of films on AIDS, this is an emotional translation of the disease. The juxtaposition of music and images creates conflicts involving elements that, taken separately, would appear insignificant....

The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not let themselves be crossed, are lost in transparencies from which there is no reflection. The sound des...

in the meantime , lighthouse , old lighthouse , far away , beyond the ponds , coolpix , little coolpix , long before the perfect clone ....

Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn. Count the chips. Conjugate. Turn on yourself, in a blind echo. Cross the already deserted space....

Listen to the trace, over the absent times, from the shore, at the very edge of the page, in the blind corner where the reader is held, give a voice, as one throws a net....

Aurore collective is composed of 50 sequences filmed in Dijon and Paris (successive places of residence of the filmmaker), Chalon-sur-Saône, Valence, Cannes, Greece, India, Afghanistan and Pakistan....

This is what the city offers the passing foreigner: gold and night to the visitor who has barely arrived. Fragments, the stone found by the wayside, raw. We pick it up and keep it. Can we read into the gleaming lights passing by? What is written...

Originally a text in fragments, more or less biographical, of different characters. Crossed stories, mixed times, memories and inventions. Coming from the voices encountered. They look like text like sisters. They are the voices of memory, the shado...

An unknown writer written under the pseudonym of Laure at the beginning of the century. Readings. Geography. The places of a writing. The forces that create, traverse and lose it. The two image strips will be contiguous on the same screen. Their cont...

Readings. Heinrich von Kleist / Robert Walser. Contiguous. They talk about imagination. Walser imagines Kleist, Kleist nobody, but Penthesilea. In the new desert islands that are the enclaves of flowers of the city. Roses of sidewalks. Wild spaces w...

Sha-Dada is an "expanded" film on two screens which presents itself as a confrontation between two imperialisms....

"The sea is a language whose meaning we have lost" Jorge Luis Borges...

Filmmaker's visual diary aboard the Vangolu Express....

Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression before the camera. This initial situation was conceived by Catherine Rebois. Graffon: I propose to film...